Discuss how shakespeare creates comedy essay
Thoughtful laughter in twelfth night
The main point that Shakespeare is trying to teach us from this storyline is the concept of love and how it can be shown and received. Of all the characters on stage only Viola can match his wits, he even out wits the clever Maria. The audience know more than what Malvolio does. Also, all the people who pretend to be somebody else find themselves in strange situations and are ridiculed throughout the play. I personally only found slight parts of the book funny and the video moderately funny. Much Ado, As You Like It, and Twelfth Night, are often thought to constitute Shakespeare's greatest achievement in comedy; all written around , they are called the romantic, or mature, comedies. There is also the use of dramatic irony. The three characters involved in the triangle are Orsino, Viola and Olivia. Orlando has wooed Rosalind in make believe, not grasping how his feelings were being reciprocated. But he does not stop there, and continues to compare her with an acorn of all things. Act 3 Scene 1 is one of the most dramatic scenes in Romeo and Juliet. It is the thread which runs through the play from start to finish and holds it all together. Viola, disguised as Cesario, gets a job as a servant for Orsino.
Shakespeare was little interested in topical satire. He uses very exclamatory language and uses alliterations well.
Wit and humour in twelfth night
Touchstone has won Audrey, the country girl, almost casually by impressing her with his mock courtly talk. He doesn't understand Toby and Maria's wit, as we see when he is forced to ask Maria, "What's your metaphor? The love between Romeo and Juliet combined with the hatred between their families. It is a scene of extreme dramatic tension and excitement. Plays[ edit ] This alphabetical list includes everything listed as a comedy in the First Folio of , in addition to the two quarto plays The Two Noble Kinsmen and Pericles, Prince of Tyre which are not included in the Folio but generally recognised to be Shakespeare's own. So important to Shakespeare is the symbolic power of marriage that some end in more than one marriage. I personally only found slight parts of the book funny and the video moderately funny. Although all three of these characters claim to be in love only Viola is actually in love. She has no serious faults and is a likable figure throughout the play. Viola, who has survived a ship wreck in the play and as lost her identical twin brother in the accident, decides to disguise herself as a man named Cesario. Shakespeare also shows a great deal of hilarity when all of the Elizabethan workmen take a shot at acting.
An audience today would have seen this so many times in reality that the funny side of it would have just worn off. The story shall be changed. She has no serious faults and is a likable figure throughout the play.
The romantic main plot is based around confusion and mistaken identity. All of the dialogue in the romantic main plot is done in versus.
Twelfth night comedy essay
Yet, paradoxically along the way there are many problems, deceptions and illusions, which …show more content… This part of the plan is never mentioned again, and Shakespeare seems to have changed his mind or forgotten about it. In other Shakespeare comedies, some concluding marriages — Claudio and Hero in Much Ado about Nothing , the Duke and Isabella in Measure for Measure — seem designed to look convenient rather than affectionate. The character portrayed by Falstaff in the Henriad, or plays dealing with Henry IV, is representative of Shakespeare's exemplary use of the comic type of character in his history plays. The play has two plots to it, a main plot and a sub-plot. From Act 1: Scene 3 when Sir Andrew and Sir Toby are talking we can see that they are speaking in normal speech and not versus like the romantic main plot. Tragedies took place in Spain, France or Italy; comedies nearer to home. Both go and try to find love instead of love finding them. Hermia gets labelled a lot of things, and all because of her size. The next group of three plays, called the Problem Plays, which include Alls Well that Ends Well, Troilus and Cressida, and Measure for Measure that were written in the first years of the 17th century, as Shakespeare was simultaneously creating his greatest tragedies. This is when the audience know more than the characters on stage. All of which Olivia, his cousin, disapproves of. The audience know this a lot better then he does himself, which brings up the use of dramatic irony throughout the play. It is classified as a comedy; it is also a work of good triumphs over evil, but serious themes are examined and some issues remain unresolved.
So false are her feelings for her dead brother are that as soon as Viola, disguised as Cesario, steps onto the scene all her sorrow is forgotten and she is swept away with a new emotion, love. It is full of drama as young lovers try to keep a secret romance together and where the marriage begins to be destroyed.
Those wits that think they have thee do very oft prove fools; and I that am sure I lack thee may pass for a wise man.
Twelfth night summary
In other Shakespeare comedies, some concluding marriages — Claudio and Hero in Much Ado about Nothing , the Duke and Isabella in Measure for Measure — seem designed to look convenient rather than affectionate. Hermia gets labelled a lot of things, and all because of her size. The next three plays. The last four of these—Loves Labour's Lost, the Dream, the Merchant, and the Merry Wives—are sometimes separated as a transitional group, or linked with the next three in a large 'middle comedies' classification. There is a love triangle at the centre of all the chaos. Much Ado, As You Like It, and Twelfth Night, are often thought to constitute Shakespeare's greatest achievement in comedy; all written around , they are called the romantic, or mature, comedies. Shakespeare also uses dramatic irony. So false are her feelings for her dead brother are that as soon as Viola, disguised as Cesario, steps onto the scene all her sorrow is forgotten and she is swept away with a new emotion, love. It would not have the same hysteria if it had only the aural comedy and equally the other way round with Visual humour. Although all three of these characters claim to be in love only Viola is actually in love.
By the end of Shakespeare's life, he had written eighteen comedies. Catherine Belsey stated: …The act of vengeance, in excess of justice, a repudiation of conscience, hellish in its mode of operation, seems to the revenger and the audience an over-riding imperative.
She has something to tell Falstaff which is informing him of a time where he can nip around to Mistress Fords house because her husband will be absent between the hours of ten and eleven. He suggested they also cut out all the fighting.
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